Naomi & Lawrence | Couples Session at Sunset Cliffs in San Diego, CA
Euphoria on Sunset Cliffs
This couple’s session was set up like a blind date. The couple was a referral but I had no reference point, and thus had no idea what to expect. It was scary and refreshing. Naomi and Laurence exceeded expectations and it was refreshing to work with a couple who was willing to let me thrive under my artistic brain with the freedom of my cameras. U
Ultimately, we created incredible images together, and it was an intensely vibrant, awkwardly sweet day. The setting did help of course. The sky was nuts! I haven’t seen the sunset like that in a while. It was perfect.
I also shot with my #FujiFIlmGA645 but those are being developed. Stay tuned for the film edition coming your way soon!
If you are curious about a couples session get in touch HERE. Talk soon, folks!
My photography is a blend of art, experience, and instinct—a little bit of this, a little bit of that.
For over 15 years, I’ve been immersed in the world of photography. It all started when I was 18 and stepped into a darkroom for the first time. That moment sparked a lifelong obsession with capturing the world through my lens. It eventually lead me to the fine art space, collaborating with artists, managing studios, and working alongside galleries and museums.
Through years of studying art and photography—both in undergraduate and graduate school—my aesthetic evolved under the influence of critical theory and contemporary art. I found myself drawn to the intersection of traditional documentary photography and spontaneous, unfiltered moments of real life. My goal is to create images that are raw, honest, and deeply human.
Travel plays a huge role in my creative process. I find inspiration in the unfamiliar—letting light, movement, and emotion guide my eye. Photography is my way of making sense of the world, turning fleeting moments into lasting stories. With a camera in hand, everything becomes a canvas, and every frame is a chance to reveal beauty in the unexpected.
